Hablamos todo lo que no callamos. Un film de personajes que viven de sentimientos, explotan, se alimentan los unos de los otros. Incapaces de acercarse sin hacerse daño.
Marcel Duchamp 1915-23
(foto de estrangis en la Tate Gallery)
"The Large Glass has been called a love machine, but it is actually a machine of suffering. Its upper and lower realms are separated from each other forever by a horizon designated as the 'bride's clothes.' The bride is hanging, perhaps from a rope, in an isolated cage, or crucified. The bachelors remain below, left only with the possibility of churning, agonized masturbation."
Mink, Janis: Marcel Duchamp, 1887-1968: Art as Anti-Art
(foto de estrangis en la Tate Gallery)
"The Large Glass has been called a love machine, but it is actually a machine of suffering. Its upper and lower realms are separated from each other forever by a horizon designated as the 'bride's clothes.' The bride is hanging, perhaps from a rope, in an isolated cage, or crucified. The bachelors remain below, left only with the possibility of churning, agonized masturbation."
Mink, Janis: Marcel Duchamp, 1887-1968: Art as Anti-Art
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